BGospel Magazine observes in 2025 a clear decline in the volume of releases for evangelical music in Creole compared to 2024, while retaining a very active and structuring core of artists. The figures presented below are taken from our own databases and may include a small margin of error linked to the collection, classification and sampling of content, as in any statistical analysis of this type. Please note that albums are not included in this report.
1. Production Overview
The annual production of evangelical music in Creole declines from 167 songs in 2024 to 127 in 2025, a drop of around 24%, after an exceptional peak of 255 music in 2023. This trend can be compared to a phase of normalization: fewer titles put online, with a more controlled and determined objective and theme.
| Year | Total music |
|---|---|
| 2025 | 127 |
| 2024 | 167 |
| 2023 | 255 |
On average, 10.58 pieces of music are published each month in 2025, compared to 13.92 in 2024 and 21.25 in 2023, which reflects a gradual slowdown in the pace of release. The year 2025 nevertheless remains in a “high production” zone for a niche segment like the Haitian evangelical sector, where consumption is strongly driven by LIVE churches and gatherings, with still very few high-quality live concert recordings available to artists on streaming platforms.
2. Seasonality and regularity
The monthly analysis shows a shift in output peaks over the years. In 2025, the most active month is August (17 songs), while in 2024 it was January (25 songs) and in 2023 it was May (30 songs). The troughs are in February 2025 (3 musics) and in December for 2024 (7 musics) and 2023 (13 musics).
| Year | Most/least productive month |
|---|---|
| 2025 | Plus: August (17) / Minus: February (3) |
| 2024 | Plus: January (25) / Minus: December (7) |
| 2023 | Plus: May (30) / Minus: December (13) |
The monthly standard deviation remains stable (4.27 in 2025, 4.13 in 2024, 4.62 in 2023), which indicates a certain regularity in production despite the overall decline. This configuration offers labels, artists and promotion teams concrete benchmarks to align their release strategies with traditionally strong months and strengthen weaker months.
3. Core Artists and Productivity
Out of 106 artists analyzed between 2023 and 2025, around 14 published at least one content each year, constituting the hard core of the Creole gospel scene monitored by BGospel.com. This continuity plays a key role in the stability of the catalog and audiences.
Between 2023 and 2025, a group of around 10 artists also stands out as particularly productive, with at least 2 singles over at least one year: Delly Benson, Loutchina Decius, Spencer Brutus, Celigny Dathus, Joy Clerf Dérisier, Fre Gabe, Rodberry Jacques, Stanley Georges and Wiliadel Denervil. These profiles concentrate a significant part of the volume and constitute naturally identified priorities for programming, partnerships and promotion campaigns.
Still at the production level, BGospel Magazine has listed a group of artists having released at least 2 video clips in 2025 (excluding featurings): Wiliadel Denervil (4 video clips taken from the album “Victoire” released in 2024), Delly Benson (3 video clips), Joy Clerf Derisier (2), Fre Gabe (2), Pedro Vallery (2), Loutchina Decius (2), Chantal Saint-Fort (2), Ammiel Rosilien (2), Frè Mendy (2) and Rechanka Doristil (2). This visual dynamism reinforces the presence of these artists in the digital ecosystem and on social networks.
Some artists maintain a very notable presence despite their low studio production in 2025, such as Barbara Cassamajor, Rosena J. Orys and Salomon Lira.
4. Continuity, intermittency and inactivity
Beyond the most stable core, 42 artists were active over 2 out of 3 years, showing significant intermittency but also a potential for reactivation. Names like Wiliadel Denervil, Joy Clerf Derisier, Stanley Georges or Claire Calixte thus alternate between strong years and calmer years, without completely disappearing from the radar.
At the same time, 35 artists have not released new music for at least 2 years, with a last post mostly dated 2023 (or even 2024 for some), and a history often limited to 1 to 3 titles. This zone of inactivity represents both a risk of loss of artistic diversity and a breeding ground for “return” operations (best of, collaborations, reissues, live) if suitable campaigns are put in place.
5. Editorial reading and methodology
From an editorial point of view, the 2025 report of the Haitian evangelical music sector highlights:
- A clear drop in volumes vs. 2024, but a base of loyal artists who keep the segment alive and identifiable.
- A marked seasonality (strong activity around August, drop-off in February) which makes it possible to optimize releases, clips and promotional campaigns.
- A core of around 10 particularly productive artists who sets the tone and structures the public’s perception of the sector.
Methodologically, this analysis is based on evangelical musical productions in Creole recorded in the BGospel ecosystem over the period 2023–2025 (singles, clips, associated publications), albums excluded. The figures may have a margin of error linked to:
- Automatic classification of certain content (language or segment errors);
- Missing or duplicate publications;
- The evolution of selection criteria over the years.
BGospel Magazine will continue to refine its monitoring tools to offer, year after year, an even more reliable and detailed vision of gospel production in Creole, serving artists, labels, the media and the community.
